Courses
Courses primarily for undergraduates:
Credits: 3. Contact Hours: Lecture 3.
Visual arts and how it relates to individuals, their community, and the importance in a cultural and global context. Understand vocabulary of the visual arts, and develop strategies for observation and critical thinking through assignments including reflective writing and observational analysis on various works of art. Engage with various visual art topics and disciplines such as: defining what art is, learning about types of art and its use and meaning of materials, how art plays a role in the expression of humanity, and how personal awareness and perspective can benefit from the engagement of art. Meets International Perspectives Requirement. (Typically Offered: Fall, Spring)
Credits: 3.
Exploration of the nature of visual perception in relation to issues of visual communication, problem solving, envisioning information, and visual thinking. Studio assignments to be digitized and sent to instructor electronically for evaluation and critique. (Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 7.
Prereq: Sophomore classification
Half-semester course. Introduction to wood's physical properties, its potential as an expressive medium, and basic woodworking tools and techniques.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 4.
Prereq: Sophomore classification
Half semester course. Introduction to basic jewelry/metals design and fabrication. Forming, texturing, and joining techniques (soldering/riveting) will be explored and applied to two projects.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 7.
Prereq: Sophomore classification
Half-semester course introducing ceramic techniques including hand-building, high fire and low fire glaze applications and expressive approaches that will be applied to two projects. The emphasis is on creative communication through ceramics.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 4.
Prereq: Sophomore classification
Introduction to relief, monoprint, intaglio, lithography, and screen printing as methods for visual communication and expression.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 8.
Prereq: Sophomore classification
Half-semester course. Introduction to color theory and color systems using various media for visual communication and creative expression.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 4.
Prereq: Sophomore classification
Introduction to film camera operation and traditional black and white darkroom methods for visual communication and creative expression. Film cameras required for class but may be checked out for short periods during semester.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: Sophomore classification
Introduction to digital media tools and concepts and digital fabrication processes to create two dimensional, three dimensional, and time-based artworks. Students will be introduced to major digital art and design software packages.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 4.
Prereq: Sophomore classification
Half-semester course. Introduction to preparation of painting grounds, color mixing, manipulation of paint and pictorial space as methods for visual communication and expression.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Studio 4.
Prereq: Sophomore classification
Half semester course. Introduction to two-dimensional and three-dimensional textile techniques used for visual communication and expression.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
The functions and operations of the digital camera, scanning and other image input devices, digital image manipulation, software usage and support, color management and printing, presentation of images, compositional dynamics and the development of 'seeing' as a medium of design, expression, and communication. Students should have access to a good or high quality digital camera with the ability to separately adjust shutter speed, f/stop and exposure, a laptop with updated Adobe Photoshop software, and enough digital storage for all class assignments.
Credits: 3-4. Contact Hours: Studio 6.
Prereq: Membership in the University Honors Program
The functions and operations of the digital camera, scanning and other image input devices, digital image manipulation, software usage and support, color management and printing, presentation of images, compositional dynamics and the development of 'seeing' as a medium of design, expression, and communication. Students should have access to a good or high quality digital camera with the ability to separately adjust shutter speed, f/stop and exposure, a laptop with updated Adobe Photoshop software, and enough digital storage for all class assignments.
Credits: 3. Contact Hours: Studio 6.
Prereq: DSNS 1020, DSNS 1310, and DSNS 1830
A continuation of DSNS 1310. Further development of perceptual drawing skills from a variety of subject matter. Continued practice with drawing materials and techniques with emphasis on tonal and color media.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Fundamentals of painting using water-based media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, architectural space, and the human form. (Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 2300; Membership in the University Honors Program
Fundamentals of painting using water-based media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, architectural space, and the human form.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 2300
Fundamentals of painting using acrylic and oil media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, and the human form.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Prereq: ART 2300; Membership in the University Honors Program
Fundamentals of painting using acrylic and oil media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, and the human form.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Explores the significance of recycling, sustainable methods of art making, and thrift-store culture as medium and subject matter for artists in both 2D and 3D studio projects. Through selected readings, slide presentations, and studio activities, we will address the environmental cause and effect of materials and methods, consumption and waste, and personal responsibility as stewards for the planet we share. Emphasis will be on conceptual development.
Credits: 3.
Introduction to 3D modeling using computer and available software. Modeling, texturing, lighting, and rendering with respect to 3D object and still scene creation.
Credits: 3-4. Contact Hours: Lecture 9.5.
Prereq: Membership in the University Honors Program
Introduction to 3D modeling using computer and available software. Modeling, texturing, lighting, and rendering with respect to 3D object and still scene creation.
Credits: 3.
Study and application of methods used by contemporary artists for the purpose of generating ideas for new work. Field trip.
Credits: 3. Contact Hours: Studio 6.
Exploration of issues and directions in current art. Readings, discussions, and studio research projects to build an experimental and applied knowledge base for understanding each student's place in the contemporary art world.
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 2020 or INDD 2010 or Permission of Instructor
Design and production of basic functional and creative forms in wood. Develop a deeper understanding of the material through exploration of traditional and contemporary methods.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Prereq: ART 2020 or INDD 2010 or Permission of Instructor; Membership in the University Honors Program
Design and production of basic functional and creative forms in wood. Develop a deeper understanding of the material through exploration of traditional and contemporary methods.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 2040 or permission of instructor
Investigation of expressive forms and techniques in ceramics; introduction to throwing on the wheel, to exploration of utilitarian and sculptural approaches in the medium, and to glaze-making research and electric kiln firing.
Credits: 3-4. Contact Hours: Studio 6.
Prereq: ART 2040 or Permission of Instructor; Membership in the University Honors Program
Investigation of expressive forms and techniques in ceramics; introduction to throwing on the wheel, to exploration of utilitarian and sculptural approaches in the medium, and to glaze-making research and electric kiln firing.
(Cross-listed with SCIVZ 3230).
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: (ART 2300; BIOL 2110 or BIOL 2120) or Permission of Instructor
Studio basics and professional techniques in black & white, continuous tone, and color. Introduction to professional practice and principles of communicating science through art. Emphasis on tools, materials, and rendering.
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 2030 or Permission of Instructor
Hands-on studio experience. Focusing on traditional and contemporary metalsmithing techniques applicable to jewelry, functional objects, and sculptural art forms. Topics include fabrication, forming and cold joinery, with an emphasis on design and progressive skill development. Basic stone setting and lost wax casting introduced.
Credits: 3-4. Contact Hours: Studio 6.
Prereq: ART 2030 or Permission of Instructor; Membership in the University Honors Program
Hands-on studio experience. Focusing on traditional and contemporary metalsmithing techniques applicable to jewelry, functional objects, and sculptural art forms. Topics include fabrication, forming and cold joinery, with an emphasis on design and progressive skill development. Basic stone setting and lost wax casting introduced.
Credits: 2. Contact Hours: Lecture 2.
Repeatable, maximum of 6 credits.
Contemporary issues in studio arts explored through lectures, presentations and critiques.
(Cross-listed with SCIVZ 3260).
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3230/SCIVZ 3230, or permission of the instructor
An introduction to digital illustration software. Application of painting, drawing, and image-making techniques using vector and raster-based programs.
(Cross-listed with SCIVZ 3270).
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 3230/SCIVZ 3230, or permission of the instructor
Investigation of illustration as a form of communication. Emphasis on problem solving, effective composition, and advancement of rendering skills.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: ART 2100 or permission of instructor
Continuation and expansion of concepts and processes from introductory photography. The class begins with advanced film camera techniques and experimentation with medium format cameras. It then moves into digital and color photography while also addressing output and presentation. Emphasis will be on the use of photography for visual communication and creative expression.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: ART 2100 or Permission of Instructor; Membership in the University Honors Program
Continuation and expansion of concepts and processes from introductory photography. The class begins with advanced film camera techniques and experimentation with medium format cameras. It then moves into digital and color photography while also addressing output and presentation. Emphasis will be on the use of photography for visual communication and creative expression.
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 2300
Drawing from the human figure.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 2300; Membership in the University Honors Program
Drawing from the human figure.
Credits: 3. Contact Hours: Lecture 3.
Repeatable.
Prereq: 6 credits ART courses or permission of instructor
Exploration of alternative materials (primarily non-metallics, both natural and manufactured) applicable to the design and creation of small designed objects and adornment. Students will learn additive and reductive processes, experiment with found object inclusion, rubber mold- making, and resin casting. A series of finishedpieces will result. Open to all majors in the College of Design.
(Typically Offered: Fall, Spring)
(Cross-listed with SCIVZ 3370).
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: ART 3270
Rendering techniques applied to different types of biological and scientific subjects emphasizing communication. The use of traditional and digital media. Term project required.
(Typically Offered: Spring)
(Cross-listed with SCIVZ 3400X).
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Artificial intelligence tools for art and design: strategies, principles, and tools for AI in visual art, applied art, and creative industry practices. The aesthetics of AI systems in creative practices. An overview of working with AI as artistic and visual communication media including using AI and machine learning applications, histories of AI in the arts, generative deep learning systems, supervised and unsupervised machine learning tasks, and integrating AI systems through art and design practices. Producing AI multimedia outputs that include a range of forms from imagery to sound. (Typically Offered: Fall, Spring, Summer)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Introduction to woven textile construction with emphasis on technical development of weaving as a means for creative expression. Students may explore tapestry, off-loom and/or 4-harness weaving.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: Membership in the University Honors Program
Introduction to woven textile construction with emphasis on technical development of weaving as a means for creative expression. Students may explore tapestry, off-loom and/or 4-harness weaving.
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Introduction to natural dyes. Course includes a historical overview of natural dyes with attention to global perspectives. Emphasis on technical skill development and application of research in the creation of contemporary textile artwork.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: Membership in the University Honors Program
Introduction to natural dyes. Course includes a historical overview of natural dyes with attention to global perspectives. Emphasis on technical skill development and application of research in the creation of contemporary textile artwork.
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Fabric dyeing and printing techniques including block, stencil and experimental screen-printing, and resists using synthetic dyes, discharging agents, and pigments. Printing with plant-based dyes may also be explored. Digital printing and transfer printing on fabric may be introduced. Emphasis on research and development of dyed and printed textile design techniques as a means for creative expression. (Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: Membership in the University Honors Program
Fabric dyeing and printing techniques including block, stencil, and experimental screen-printing, and resists using synthetic dyes, discharging agents, and pigments. Printing with plant-based dyes may also be explored. Digital printing and transfer printing on fabric may be introduced. Emphasis on research and development of dyed and printed textile design techniques as a means for creative expression.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: Sophomore, Junior or Senior classification
Exploration of the potential of materials, form, and narrative in relation to letterpress printing and book arts. Traditional and contemporary artists' work will be used to discuss the history of printing, books, and paper. Emphasis will be placed on experimental and creative use of letterpress and book arts, with study of contemporary trends.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: ART 2060 and credit or enrollment in ART 2300, or instructor permission
In-depth exploration of digital or traditional design and block cutting processes (computer/laser cutter/CNC router or drawing/chisels) to produce black and white and color relief prints. Use relief printmaking to create a unified body of work. Use relief printmaking to create a unified body of prints from those blocks. Emphasis is on experimental and creative use of printmaking with study of contemporary trends.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: ART 2060 and Credit or Enrollment in ART 2300, or Instructor Permission; Membership in the University Honors Program
In-depth exploration of digital or traditional design and block cutting processes (computer/laser cutter/CNC router or drawing/chisels) to produce black and white and color relief prints. Use relief printmaking to create a unified body of work. Use relief printmaking to create a unified body of prints from those blocks. Emphasis is on experimental and creative use of printmaking with study of contemporary trends.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 2060 and credit or enrollment in ART 2300, or instructor permission
Explore the techniques and aesthetic qualities of black and white and color intaglio printmaking primarily through etching, aquatint, laser-cut plates and collagraph processes. Students will generate imagery through traditional drawing, collage and digital processes. Unique, one-of-a-kind black and white and color prints from Plexiglas will also be introduced. Emphasis is on experimental and creative use of printmaking for artistic expression.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 2060 and Credit or Enrollment in ART 2300, or Instructor Permission; Membership in the University Honors Program
Explore the techniques and aesthetic qualities of black and white and color intaglio printmaking primarily through etching, aquatint, laser-cut plates and collagraph processes. Students will generate imagery through traditional drawing, collage and digital processes. Unique, one-of-a-kind black and white and color prints from Plexiglas will also be introduced. Emphasis is on experimental and creative use of printmaking for artistic expression.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 2060 and credit or enrollment in ART 2300, or instructor permission
Examine the techniques and aesthetic qualities of lithography primarily through stone lithography and hand-drawn and photographic plates. Students may generate imagery through traditional drawing, collage or digital processes. Emphasis is on experimental and creative use of printmaking for artistic expression. For those taking the course for a second semester, students can choose whether to focus on stone or plate lithography and there will be increased work with color.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 2060 and Credit or Enrollment in ART 2300, or Instructor Permission; Membership in the University Honors Program
Examine the techniques and aesthetic qualities of lithography primarily through stone lithography and hand-drawn and photographic plates. Students may generate imagery through traditional drawing, collage or digital processes. Emphasis is on experimental and creative use of printmaking for artistic expression. For those taking the course for a second semester, students can choose whether to focus on stone or plate lithography and there will be increased work with color.
(Typically Offered: Fall, Spring)
Credits: 2. Contact Hours: Lecture 2.
Prereq: Admission to Integrated Studio Arts BFA; junior classification or above
Introduction to professional practices including development of portfolio (visual and written components). Lecture and presentation topics include applying to graduate school, internships, applying for jobs, grants/funding opportunities, professional networking, exhibition opportunities, and best practices for studio artists. Half-semester course. Required of all ISA majors.
(Typically Offered: Spring)
(Cross-listed with SCIVZ 4060).
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 2 times.
Introduction to organic 3D model creation in ZBrush. Digital clay sculpting informed by traditional techniques. 3D printing pipeline. Emphasis on science research and visual design thinking for science communication. Some experience with other 3D modeling software beneficial, but not required. (Typically Offered: Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3080
Animation techniques using the computer and available software. Principles of character animation. Prior knowledge of modeling, lighting, texturing and rendering with available software is assumed.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3080; Membership in the University Honors Program
Animation techniques using the computer and available software. Principles of character animation. Prior knowledge of modeling, lighting, texturing and rendering with available software is assumed.
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3080
Animation techniques using the computer and available software. Principles of animation. Prior knowledge of modeling, lighting, texturing, animation and rendering with computer and available software is assumed.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3080; Membership in the University Honors Program
Animation techniques using the computer and available software. Principles of animation. Prior knowledge of modeling, lighting, texturing, animation and rendering with computer and available software is assumed.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Independent project based creation and development of 'frivolous and non-frivolous' computer games in a cross-disciplinary team. Projects require cross-disciplinary teams. Aspects of Indie development and computer/video game history will be discussed.
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: Membership in the University Honors Program
Independent project based creation and development of 'frivolous and non-frivolous' computer games in a cross-disciplinary team. Projects require cross-disciplinary teams. Aspects of Indie development and computer/video game history will be discussed.
(Typically Offered: Fall, Spring, Summer)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: ART 3200 or Permission of Instructor
Advanced individual design and production of increasingly complex constructions, emphasizing development of a personal approach through research and exploration of materials, function, and specialized techniques.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: ART 3200; Membership in the University Honors Program
Design and creation of increasingly complex furniture forms with consideration of precedents and innovative techniques and approaches. Continued development of a unique personal approach to the design and making of furniture. Refined sensitivity to wood, and continued consideration of various sustainable practices.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: ART 3220
Creation of a body of work in personal ceramic forms and unique surface treatments. Exploration of kiln firings, research into contemporary ceramic artists and development of a body of increasingly skilled work are emphasized. Students are expected to be capable of independent studio work and take responsibility for firings.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: ART 3220; Membership in the University Honors Program
Creation of a body of work in personal ceramic forms and unique surface treatments. Exploration of kiln firings, research into contemporary ceramic artists and development of a body of increasingly skilled work are emphasized. Students are expected to be capable of independent studio work and take responsibility for firings. Honors project developed with supervision from instructor.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: ART 3240 or Permission of Instructor
Hands-on studio experience. Focusing on traditional and contemporary metalsmithing techniques applicable to jewelry, functional objects, and sculptural art forms. Topics include fabrication, forming and cold joinery, with an emphasis on design and progressive skill development. Basic stone setting and lost wax casting introduced.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: ART 3240 or Permission of Instructor; Membership in the University Honors Program
Hands-on studio experience. Focusing on traditional and contemporary metalsmithing techniques applicable to jewelry, functional objects, and sculptural art forms. Topics include fabrication, forming and cold joinery, with an emphasis on design and progressive skill development. Basic stone setting and lost wax casting introduced.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3290
Independent, advanced work in traditional alternative and/or digital photographic processes. Emphasis is on development of a unified body of work and research into contemporary photographers and aesthetic concern.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3290; Membership in the University Honors Program
Independent, advanced work in traditional alternative and/or digital photographic processes. Emphasis is on development of a unified body of work and research into contemporary photographers and aesthetic concern.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3300
Figurative and/or non-figurative drawing with advanced work in media, composition, and theory.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3300; Membership in the University Honors Program
Figurative and/or non-figurative drawing with advanced work in media, composition, and theory.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: (DSNS 1310; ART 2300; ART 3300); or instructor permission
Drawing directed toward designing characters and environments to be used for telling stories in a variety of contexts. Emphasis on ideation, research, concept art and other process work over finished art.
(Typically Offered: Fall)
Credits: 3. Contact Hours: Studio 6.
Prereq: (DSNS 1310; ART 2300; ART 3300); or instructor permission
Studio course in drawing focusing on the fundamentals of communicating a narrative through sequential images in a variety of applications. Emphasis will be placed on visual research, ideation, concept art and process sketching.
(Typically Offered: Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3380
Figurative and non-figurative painting with advanced work in media, composition, and theory.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3380; Membership in the University Honors Program
Figurative and non-figurative painting with advanced work in media, composition, and theory.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3470 or Permission of Instructor
Fabric dyeing and printing techniques including block, stencil and experimental screen-printing, and resists using synthetic dyes, discharging agents, and pigments. Printing with plant-based dyes may also be explored. Digital printing and transfer printing on fabric may be introduced. Emphasis on research and development of dyed and printed textile design techniques as a means for creative expression.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Junior classification in College of Design or junior classification in FDM
This hands-on studio course will allow students to explore digital printing technology and its application to textile design for those working within industry as well as independent studio practitioners. Digital design development includes pattern repeats and photo manipulation to create unique textile designs for fashion, interior and fine art applications.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: ART 3560, ART 3570, or ART 3580, and Permission of Instructor
Independent, advanced work in printmaking processes. Emphasis is on development of a unified body of work and research into contemporary artists.
(Typically Offered: Fall, Spring)
Credits: 3-4. Contact Hours: Studio 6.
Repeatable.
Prereq: (ART 3560, ART 3570, or ART 3580) AND Permission of Instructor AND Membership in the University Honors Program
Independent, advanced work in printmaking processes. Emphasis is on development of a unified body of work and research into contemporary artists.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: Senior or Graduate classification or Permission of Instructor
Issues in the design and fabrication of furniture focusing on sustainable practices. An exploration of current practices and their environmental effects, consumer demands, and alternative processes and materials.
(Typically Offered: Fall, Spring)
Credits: 3.
Introduction to aspects of community arts management and art gallery operations. Students will assist in the conception, design, and realization of exhibitions. (Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: Senior or Graduate classification or Permission of Instructor
The artist/designer's role in sustainable development with a focus on cultural understanding of the collaborating communities. Class discussion, visual exercises, and the creation of creative collaborative service-learning projects such as product design, habitat design, and visual arts projects. Preorientation for travel to Ghana in ARTIS 4660/5660X. Meets International Perspectives Requirement.
(Typically Offered: Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 4650 or Permission of Instructor
Traveling studio to Africa; an experiential tour of arts and history combined with design-focused collaborative service-learning projects. Projects may include product development, design consultation, sustainable building design, and learning and teaching of visual arts. Student teams will develop projects in partnership with in-country nationals. Meets International Perspectives Requirement.
(Typically Offered: Summer)
(Dual-listed with ART 5700X).
(Cross-listed with SCIVZ 4700).
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Data visualization strategies, principles, and tools for encoding data in visual art, applied art, and creative industry practices. The aesthetics of encoded data in creative practices. An overview of working with data as artistic and visual communication media including data acquisition, organization, representation, and interaction with data through art and design. Producing data display outputs that include a range of displays from screen to installation. (Typically Offered: Fall)
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 2120 OR Permission of Instructor
Usage of professional video editing software and application of best practices for video production and post-production to realize original artworks. Creation of narrative and non-narrative videos and site specific video installations. Prominent examples in the history of video art provide context for the coursework. Non-repeatable for graduate students.
Credits: 3. Contact Hours: Studio 6.
Prereq: ART 2120 OR Permission of Instructor
Create software and integrate the sensors required to create interactive artworks, video games, and installations. Prominent examples in the history of interactive art provide context for the coursework.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Special issues related to studio art. Topics vary each time offered.
(Typically Offered: Fall, Spring)
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course; Membership in the University Honors Program
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1-6. Repeatable.
Prereq: Department Permission for Course
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Credits: 1.
Exhibition of artwork completed in the Post Baccalaureate program, required for fulfillment of certificate. Offered on a satisfactory-fail basis only. (Typically Offered: Fall, Spring)
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Permission of Instructor; Membership in the University Honors Program
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Instructor Permission for Course
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1. Contact Hours: Lecture 1.
Prereq: Instructor Permission for Course
Cultural and historical aspects of art and design in Western Europe in preparation for study abroad. Area of study varies each time offered. Meets International Perspectives Requirement. Offered on a satisfactory-fail basis only. Offered on a satisfactory-fail basis only.
Credits: 3.
International study abroad program in western Europe. Visits to design studios, art museums, and educational facilities. Related activities depending on specific area of study which may vary each time offered. Meets International Perspectives Requirement.
Credits: Required. Repeatable.
Prereq: Instructor Permission for Course
Study and tours of museums, galleries, artist and/or designer studios and other areas of interest within art and design. Offered on a satisfactory-fail basis only.
Credits: 1-6. Repeatable, maximum of 6 credits.
Prereq: Undergraduate classification and written approval of supervising instructor on required form in advance of semester of enrollment
Supervised experience with a cooperating sponsor. Offered on a satisfactory-fail basis only. Offered on a satisfactory-fail basis only.
Credits: 1.
Prereq: ART 3990; senior classification in Art, B.F.A.
Capstone experience for the BFA degree, including the refinement of a final portfolio (visual and written components). Guest lecturers cover range of topics relevant to the professional practice of art and design. Course culminates in the planning, design and installation of the BFA group exhibition in a formal gallery setting. Required of all B.F.A. in Art majors.
(Typically Offered: Spring)
Courses primarily for graduate students, open to qualified undergraduates:
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Explores the significance of recycling, sustainable methods of art making, and thrift-store culture as medium and subject matter for artists in both 2D and 3D studio projects. Through selected readings, slide presentations, and studio activities, we will address the environmental cause and effect of materials and methods, consumption and waste, and personal responsibility as stewards for the planet we share. Emphasis will be on conceptual development.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: Graduate Standing or Permission of Instructor
Animation techniques using the computer and available software. Principles of character animation. Prior knowledge of modeling, lighting, texturing and rendering with available software is assumed.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: ART 4080 or graduate classification and permission of instructor
Further investigations begun in ARTIS 4080. Attention given to the workflow and management of creating animation and visualizations.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: Graduate Standing or Permission of Instructor
Independent project based creation and development of 'frivolous and non-frivolous' computer games in a cross-disciplinary team. Projects require cross-disciplinary teams. Aspects of Indie development and computer/video game history will be discussed.
Credits: 3. Contact Hours: Lecture 3.
Prereq: Graduate Standing or Permission of Instructor
Readings and discussions about aspects and expectations of teaching at the university level. Course development, research and teaching portfolio development, and best practices in design education. Other aspects of faculty expectations that include research, institutional or professional service, promotion, institutional structures, procedures, and professional responsibilities.
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: Graduate Standing or Permission of Instructor
Advanced individual design and production of increasing complex constructions, emphasizing development of a personal approach through research and exploration of materials, function, and specialized techniques.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: Graduate Standing or Permission of Instructor
Creation of a body of work in personal ceramic forms and unique surface treatments. Exploration of kiln firings, research into contemporary ceramic artists and development of a body of increasingly skilled work are emphasized. Students are expected to be capable of independent studio work and take responsibility for firings.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 12 credits.
Prereq: Graduate Standing or Permission of Instructor
Hands-on studio experience. Focusing on traditional and contemporary metalsmithing techniques applicable to jewelry, functional objects, and sculptural art forms. Topics include fabrication, forming and cold joinery, with an emphasis on design and progressive skill development. Basic stone setting and lost wax casting introduced.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Independent, advanced work in traditional, alternative and/or digital photographic processes. Emphasis is on development of a unified body of work and research into contemporary photographers and aesthetic concerns.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: Graduate Standing or Permission of Instructor
Figurative and non-figurative drawing with advanced work in media, composition, and theory.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Drawing directed toward designing characters and environments to be used for telling stories in a variety of contexts. Emphasis on ideation, research, concept art and other process work over finished art.
(Typically Offered: Fall)
Credits: 3. Contact Hours: Studio 6.
Prereq: Graduate Standing or Permission of Instructor
Studio course in drawing focusing on the fundamentals of communicating a narrative through sequential images in a variety of applications. Emphasis will be placed on visual research, ideation, concept art and process sketching.
(Typically Offered: Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: ART 3380 or Graduate Classification
Figurative and non-figurative painting with advanced work in media, composition, and theory.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Artificial intelligence tools for art and design: strategies, principles, and tools for AI in visual art, applied art, and creative industry practices. The aesthetics of AI systems in creative practices. An overview of working with AI as artistic and visual communication media including using AI and machine learning applications, histories of AI in the arts, generative deep learning systems, supervised and unsupervised machine learning tasks, and integrating AI systems through art and design practices. Producing AI multimedia outputs that include a range of forms from imagery to sound. (Typically Offered: Fall, Spring, Summer)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Fabric dyeing and printing techniques including block, stencil and experimental screen-printing, and resists using synthetic dyes, discharging agents, and pigments. Printing with plant-based dyes may also be explored. Digital printing and transfer printing on fabric may be introduced. Emphasis on research and development of dyed and printed textile design techniques as a means for creative expression.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
This hands-on studio course will allow students to explore digital printing technology and its application to textile design for those working within industry as well as independent studio practitioners. Digital design development includes pattern repeats and photo manipulation to create unique textile designs for fashion, interior and fine art applications.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: Graduate Standing or Permission of Instructor
Students will explore the potential of materials, form, and narrative in relation to letterpress printing and book arts. Traditional and contemporary artists' work will be used to discuss the history of printing, books, and paper. Emphasis will be placed on experimental and creative use of letterpress and book arts, with study of contemporary trends.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 6 credits.
Prereq: Graduate Classification or Permission of Instructor
In-depth exploration of digital or traditional design and block cutting processes (computer/laser cutter/CNC router or drawing/chisels) to produce black and white and color relief prints. Use relief printmaking to create a unified body of work. Use relief printmaking to create a unified body of prints from those blocks. Emphasis is on experimental and creative use of printmaking with study of contemporary trends.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable, maximum of 9 credits.
Prereq: Graduate Standing or Permission of Instructor
Explore the techniques and aesthetic qualities of black and white and color intaglio printmaking primarily through etching, aquatint, laser-cut plates and collagraph processes. Students will generate imagery through traditional drawing, collage and digital processes. Unique, one-of-a-kind black and white and color prints from Plexiglas will also be introduced. Emphasis is on experimental and creative use of printmaking for artistic expression.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Classification or Permission of Instructor
Examine the techniques and aesthetic qualities of lithography primarily through stone lithography and hand-drawn and photographic plates. Students may generate imagery through traditional drawing, collage or digital processes. Emphasis is on experimental and creative use of printmaking for artistic expression. For those taking the course for a second semester, students can choose whether to focus on stone or plate lithography and there will be increased work with color.
(Typically Offered: Fall, Spring)
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Classification or Permission of Instructor
Exploration of the potential of materials, form, and different techniques related to screen printing, including, but not limited to: photo emulsion, stencils, rubylith, drawing fluid, screen filler, and screen print monotypes. Traditional and contemporary artists' work will be used to discuss the history of screen printing. Imagery will be created through traditional drawing, collage, photography, as well as digital processes. Emphasis will be placed on experimental and creative use of printmaking, with study of contemporary trends.
(Typically Offered: Fall, Spring)
(Dual-listed with ART 4700).
Credits: 3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Data visualization: strategies, principles, and tools for encoding data in visual art, applied art, and creative industry practices. The aesthetics of encoded data in creative practices. An overview of working with data as artistic and visual communication media including data acquisition, organization, representing, and interacting with data through art and design. Producing data display outputs that include a range of displays from screen to installation.
(Typically Offered: Fall, Spring, Summer)
Credits: 3. Contact Hours: Lecture 3.
Prereq: Graduate enrollment in College of Design
Through directed readings, individual assignments, guest presentations, local field trips, and group discussions, students learn strategies to create and apply a personalized plan that will guide them toward successful studio practice at all stages of their careers. Topics include professional opportunities and avenues of support available to studio artists, development in preparing visual portfolios, artists statements, and applications for grants, residencies, and exhibitions.
(Typically Offered: Fall)
Credits: 3. Contact Hours: Lecture 3.
Prereq: Graduate enrollment in College of Design
Ongoing weekly critiques and dialog about sources, methods, and progress of studio projects. Graduate students will learn to articulate their ideas from concept to creation. The interaction of students at different levels in a broad spectrum of studio courses will reveal commonalities and connections among the visual arts, accelerating individual creative development.
(Typically Offered: Spring)
Credits: 3. Contact Hours: Studio 6.
Prereq: Graduate Standing or Permission of Instructor
Usage of professional video editing software and application of best practices for video production and post-production to realize original artworks. Creation of narrative and non-narrative videos and site specific video installations. prominent examples in the history of video art provide context for the coursework. Non-repeatable for graduate students.
Credits: 3. Contact Hours: Studio 6.
Prereq: Graduate Standing or Permission of Instructor
Create software and integrate the sensors required to create interactive artworks, video games, and installations. Prominent examples in the history of interactive art provide context for the coursework.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Special issues related to studio art. Topics vary each time offered.
(Typically Offered: Fall, Spring)
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Repeatable.
Prereq: Instructor Permission for Course
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 1-3. Contact Hours: Studio 6.
Repeatable.
Prereq: Graduate Standing or Permission of Instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Credits: 3. Contact Hours: Studio 6.
Prereq: Graduate classification, ART 4940 or permission of instructor
International study abroad program in western Europe. Visits to design studios, art museums, and educational facilities. Related activities depending on specific area of study which may vary each time offered. Meets International Perspectives Requirement.
Courses for graduate students:
Credits: 3. Contact Hours: Lecture 3.
Research strategies related to fine art and technology. Application of selected methods to specific issues.
Credits: 3. Contact Hours: Laboratory 6.
Exploration and application of media with various materials, methods and ideas. (Typically Offered: Fall, Spring)
Credits: 1-6. Repeatable, maximum of 6 credits.
Prereq: Graduate classification and written approval of supervising instructor on required form in advance of semester of enrollment
Supervised experience with a cooperating sponsor. Offered on a satisfactory-fail basis only. Offered on a satisfactory-fail basis only.
Credits: 1-3. Contact Hours: Lecture 3.
Repeatable, maximum of 9 credits.
Selected issues in contemporary studio arts. Topics and readings vary each time offered. (Typically Offered: Fall, Spring)
Credits: 1-30. Repeatable.
Prereq: Instructor Permission for Course
Research thesis.
Credits: 1-30. Repeatable.
Prereq: Instructor Permission for Course
Research exhibition.