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This is an archived copy of the 2020-2021 catalog. To access the most recent version of the catalog, please visit http://catalog.iastate.edu.
http://www.design.iastate.edu/artvisualculture/index.php
The Department of Art and Visual Culture offers degree programs focused on visual art and visual culture and offers courses in art history, studio arts, and art education. Degree offerings include the Bachelor of Arts in Art and Design, Bachelor of Fine Arts in Integrated Studio Arts, and Master of Fine Arts in Integrated Visual Arts.
Undergraduate Study
BFA Integrated Studio Arts
Students select from studio options including ceramics, digital media, drawing, furniture design, illustration, jewelry and metalsmithing, scientific illustration, two- and three-dimensional mixed media, painting, photography, printmaking, textiles, and new genres. Over the four-year course of study students will develop a portfolio and prepare for a professional practice in the visual arts. This concentration engages aesthetics, visual problem-solving, critical thinking, and skill development, drawing on contemporary developments, historical and cultural theory, and studio practice.
Transfer students with studio credits from other colleges and universities must present a portfolio of work created in those courses to determine if these credits can be applied toward specific studio requirements. Students are required to present this portfolio upon admission and prior to registration for classes. Arrangements for this process must be made with the department's professional advisers.
The department offers an undergraduate minor in Illustration and participates in the undergraduate minors in Classical Studies, Critical Studies in Design, Design Studies, Digital Media, and Textile Design.
Undergraduate Curriculum
The Curriculum in Integrated Studio Arts leads to a 126.5-credit undergraduate Bachelor of Fine Arts in Integrated Studio Arts. Admission into the program requires the completion of at least 30.0 credits, including the following courses: DSN S 102, DSN S 110 or 115, DSN S 131, and DSN S 183; 6 credits of Social Sciences/Humanities; 6 credits of Math/Science; ENGL 150 (or test-out credit); LIB 160. Review of the student’s portfolio and essay will also be significant factors.
Admission into the professional program is subject to the approval of a faculty committee following the completion of the College of Design Core Program. Applicants are reviewed on the basis of academic performance, a portfolio of original work, and a written essay.
Total Degree Requirement: 126.5 cr.
Only 65 credits from a two-year institution can apply, and may include up to 16 technical credits; 9 P-NP credits of free electives; 2.00 minimum GPA.
International Perspective: 3 credits
U.S. Diversity: 3 credits
Communication: 10 credits
(C or better grade ENGL 150 and ENGL 250)
| ENGL 150 | Critical Thinking and Communication | 3 |
| ENGL 250 | Written, Oral, Visual, and Electronic Composition | 3 |
| LIB 160 | Information Literacy | 1 |
| One course from the following: | 3 | |
| Introduction to Communication Studies | ||
| Interpersonal Communication | ||
| Communicating with the Deaf | ||
| Fundamentals of Public Speaking | ||
| Total Credits | 10 | |
Humanities: 6 credits
6 credits from College of Design General Education Approved Course list
Social Sciences: 6 credits
6 credits from College of Design General Education Approved Course list
Math/Physics/Biol. Sciences: 6 credits
6 credits from College of Design General Education Approved Course list
General Education Courses: 9 credits
| 6 credits at level 300-400 from College of Design General Education Approved Course List | 6 | |
| 3 credits from College of Design General Education Approved Course list | 3 | |
| Total Credits | 9 | |
College of Design Core: 11.5-12 credits
| DSN S 102 | Design Studio I | 4 |
| DSN S 115 | Design Collaborative Seminar | 0.5-1 |
| or DSN S 110 | Design Exchange Seminar I | |
| DSN S 131 | Drawing I | 4 |
| DSN S 183 | Design in Context | 3 |
| Total Credits | 11.5-12 | |
Integrated Studio Arts Core: 31 credits
| ARTIS 202 | Studio Fundamentals: Wood | 2 |
| ARTIS 203 | Studio Fundamentals: Jewelry/Metalsmithing | 2 |
| ARTIS 204 | Studio Fundamentals: Ceramics | 2 |
| ARTIS 206 | Studio Fundamentals: Printmaking | 2 |
| ARTIS 210 | Studio Fundamentals: Photo | 2 |
| ARTIS 212 | Studio Fundamentals: Computers | 3 |
| ARTIS 213 | Studio Fundamentals: Painting | 2 |
| ARTIS 214 | Studio Fundamentals: Textiles | 2 |
| ARTIS 208 | Color | 2 |
| ARTIS 230 | Drawing II | 3 |
| ARTIS 310 | Sources and Methods of Visual Art | 3 |
| ART H 280 | History of Art I | 3 |
| ART H 281 | History of Art II | 3 |
| Total Credits | 31 | |
ISA Concentration: 24 credits
Eight courses from ARTIS studio offerings. Faculty advisers will assist students in developing their studio concentration plan.
Art History: 9 credits
At least 6 credits from ART H 300+ course level.
Professional Practice: 5 credits
| ARTIS 399 | BFA Professional Practice | 2 |
| ARTIS 499 | BFA Exhibition | 1 |
| Internship or Service Learning Course (one course of the following): | 2 | |
| Artists, Designers and Sustainable Development | ||
| Digital Textile Design | ||
| Community-Engaged Arts Management. | ||
| Studio Internship | ||
| Museum/Gallery Internship | ||
| Total Credits | 5 | |
Electives: 9 credits
Post-Baccalaureate Undergraduate Certificate
Iowa State’s Post-Baccalaureate Undergraduate Certificate program in Integrated Studio Arts (ISA) prepares students for either graduate study or career advancements by providing a focused environment for advancing aesthetic, technical, creative, and conceptual skills. While a bachelor’s degree in visual arts is not required, a strong portfolio of artwork and a written statement of purpose are required for admission.
Curriculum
Post-baccalaureate students will work with a faculty adviser to create a tailored 25-credit program of study including:
- 15 credits of 300/400-level Integrated Studio courses
- Six (6) credits of 300/400-level art history courses
- Three-credit elective selected from a list of options
- ARTIS 491: One-credit capstone exhibition course
For the capstone experience, you will be expected to produce an artist’s statement and a written assessment of your learning that will be reviewed, along with your art, by the arts faculty.
This 25-credit certificate program must be completed in two (2) years. Students interested in developing a body of work for admission to graduate school or for professional practice will be ideal candidates.
Application Requirements
To apply for this program, please submit the following materials.
- Digital portfolio in PowerPoint format:
— Twenty (20) images of recent work with no more than four (4) of the 20 images being details
— Descriptions on each PPT image slide need to include title, date, size and medium - One-page statement of intent
- Current resume
- Name and contact information of three (3) references
Application Deadlines
Contact the College of Design for application deadlines.
Ingrid Lilligren, Professor and Chair
Department of Art and Visual Culture
Upload to CyBox (email ililligr@iastate.edu for access to upload your application)
Questions?
Contact Ingrid Lilligren, Professor and Chair, Department of Art and Visual Culture.
Integrated Studio Arts. BFA
| First Year | |||
|---|---|---|---|
| Fall | Credits | Spring | Credits |
| DSN S 102 or 131 | 4 | DSN S 102 or 131 | 4 |
| DSN S 183 (or General Education) | 3 | DSN S 183 (or General Education) | 3 |
| ENGL 150 (or General Education) | 3 | ENGL 150 (or General Education) | 3 |
| DSN S 110 or 115 | 0.5-1 | General Education | 3 |
| General Education | 3 | General Education | 3 |
| General Education | 3 | LIB 160 | 1 |
| 16.5-17 | 17 | ||
| Second Year | |||
| Fall | Credits | Spring | Credits |
| ART H 280 (fall only) | 3 | ART H 281 (spring only) | 3 |
| ARTIS 208 or 230 | 2-3 | ARTIS 230 or 208 | 2-3 |
| ARTIS Studio Fundamentals | 2 | ARTIS Studio Fundamentals | 2 |
| ARTIS Studio Fundamentals | 2 | ARTIS Studio Fundamentals | 2 |
| ARTIS Studio Fundamentals | 2 | ARTIS Studio Fundamentals | 2 |
| ARTIS Studio Fundamentals | 2 | ARTIS Studio Fundamentals | 2 |
| ENGL 250 (or General Education) | 3 | ENGL 250 (or General Education) | 3 |
| 16-17 | 16-17 | ||
| Third Year | |||
| Fall | Credits | Spring | Credits |
| ARTIS 310 | 3 | ARTIS Studio Option | 3 |
| ARTIS Studio Option | 3 | ARTIS Studio Option | 3 |
| ARTIS Studio Option | 3 | Internship or Service Learning | 2 |
| ART H 300 level or above | 3 | ART H 300 level or above | 3 |
| General Education | 3 | ARTIS 399 | 2 |
| DSN S 301 (Rome option only) | 1 | ||
| ARTIS 494 (Rome option only) | 1 | ||
| 15 | 15 | ||
| Fourth Year | |||
| Fall | Credits | Spring | Credits |
| ARTIS Studio Option | 3 | ARTIS Studio Option | 3 |
| ARTIS Studio Option | 3 | ARTIS Studio Option | 3 |
| ART H 300 level or above | 3 | ARTIS 499 | 1 |
| General Education | 3 | General Education | 3 |
| Elective | 3 | Elective | 3 |
| Elective | 2 | ||
| 15 | 15 | ||
Admission into the BFA in Integrated Studio Arts requires the completion of 30.0 credits including the following courses DSN S 102, DSN S 131, DSN S 183, DSN S 110 or 115, 6 credits in Social Science/Humanities, 6 credits Math/Science, ENGL 150, LIB 160. A portfolio review and essay will also be significant factors. |
Graduate Study
The department offers the Master of Fine Arts (MFA) in Integrated Visual Arts. The MFA curriculum in Integrated Visual Arts requires a minimum of 60 credits. The program of study includes seminar classes, a studio concentration, history and criticism courses, elective courses outside the department or area of study, and the completion of a thesis exhibition and written thesis statement.
MFA graduates in Integrated Visual Arts link traditional studio disciplines with interdisciplinary studies. Graduates are prepared as visual artists to enter studio practice, business, higher education, or new interdisciplinary fields. The MFA is recognized as the terminal degree. A required thesis exhibition is composed of two parts: a substantial exhibition; and a written thesis statement that describes the development of the work in the exhibition, its objectives, and its historical and cultural points of reference. A written thesis with no exhibition component may be an appropriate alternative, but some portion of the work should entail an element of design problem-solving in the form of a visual product.
Studio Courses: 39 credits
| Courses numbered ARTIS | 27 | |
| Studio Courses outside of ISA | 6 | |
| Thesis/Orals | 6 | |
Seminar Courses: 6 credits
(Students take 2 sections of ARTIS 571, or 1 section of ARTIS 571 and ARTIS 511) | ||
| Graduate Seminar ARTIS 571 | 3 credits each section | |
| Graduate Seminar: Grants, Residencies, Exhibitions, Entrepreneurialism | ||
| Graduate Seminar: Critique and Creative Process | ||
| ARTIS 511 | Seminar in Teaching | 3 |
Art History/Theory/Criticism: 12 credits
| ART H 501 required | 3 | |
| Art History courses | 9 | |
Related Courses (outside of IVA program): 3 credits
Total: 60 Credits
Courses
Courses primarily for undergraduates:
(0-6) Cr. 3. F.S.
Exploration of the nature of visual perception in relation to issues of visual communication, problem solving, envisioning information, and visual thinking. Studio assignments to be digitized and sent to instructor electronically for evaluation and critique.
(0-8) Cr. 2. F.S.
Prereq: Open to all students; sophomore level and above. Required of all ISA BFA majors
Half-semester course. Introduction to wood's physical properties, its potential as an expressive medium, and basic wood working hand tools and techniques.
(0-8) Cr. 2. F.S.
Prereq: Open to all students; sophomore level and above. Required of all ISA BFA majors
Half semester course. Introduction to basic jewelry/metals design and fabrication. Forming, texturing, and joining techniques (soldering/riveting) will be explored and applied to two projects.
(0-8) Cr. 2. F.S.
Prereq: Open to all students, sophomore level and above. Required of all ISA BFA majors
Half-semester course providing an introduction to ceramic techniques including hand-building, high fire and low fire glaze applications and expressive approaches that will be applied to two projects. The emphasis is on creative communication through ceramics.
(0-8) Cr. 2. F.S.
Prereq: Open to all students, sophomore level and above. Required of all ISA BFA majors.
Introduction to relief, monoprint, lithographic and intaglio printing as methods for visual communication and expression.
(0-8) Cr. 2. F.S.
Prereq: Open to all students, sophomore level and above. Required for all ISA BFA majors.
Half-semester course. Introduction to color theory and color systems using various media for visual communication and creative expression.
(0-8) Cr. 2. F.S.
Prereq: Open to all students, sophomore level and above. Required of all ISA BFA majors.
Introduction to film camera operation and traditional black and white darkroom methods for visual communication and creative expression. Film cameras required for class but may be checked out for short periods during semester.
(0-6) Cr. 3. F.S.
Prereq: Open to all students, sophomore level and above. Required of all ISA BFA majors.
Introduction to digital media tools and concepts and digital fabrication processes to create two dimensional, three dimensional, and time-based artworks. Students will be introduced to major digital art and design software packages.
(0-8) Cr. 2. F.S.
Prereq: Open to all students, sophomore level and above. Required of all ISA BFA majors.
Half-semester course. Introduction to preparation of painting grounds, color mixing, manipulation of paint and pictorial space as methods for visual communication and expression.
(0-8) Cr. 2. F.S.
Prereq: Open to all students, sophomore level and above. Required of all ISA BFA majors.
Half semester course. Introduction to two-dimensional and three-dimensional textile techniques used for visual communication and expression.
(0-6) Cr. 3.
Prereq: DSN S 102, DSN S 131 and DSN S 183 or permission of instructor.
This course will include the functions and operations of the digital camera, scanning and other image input devices, digital image manipulation, software usage and support, color management and printing, presentation of images, compositional dynamics and the development of "seeing" as a medium of design, expression, and communication. Students should have access to a good or high quality digital camera with the ability to separately adjust shutter speed, f/stop and exposure, a laptop with updated Adobe Photoshop software, and enough digital storage for all class assignments.
(0-6) Cr. 3-4.
Prereq: DSN S 102, DSN S 131 and DSN S 183
This course will include the functions and operations of the digital camera, scanning and other image input devices, digital image manipulation, software usage and support, color management and printing, presentation of images, compositional dynamics and the development of "seeing" as a medium of design, expression, and communication. Students should have access to a good or high quality digital camera with the ability to separately adjust shutter speed, f/stop and exposure, a laptop with updated Adobe Photoshop software, and enough digital storage for all class assignments.
(0-6) Cr. 3.
Prereq: ARTIS 230
Fundamentals of painting using water-based media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, architectural space, and the human form.
(0-6) Cr. 3-4.
Prereq: ARTIS 230
Fundamentals of painting using water-based media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, architectural space, and the human form.
(0-6) Cr. 3. F.S.
Prereq: ARTIS 230
Fundamentals of painting using acrylic and oil media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, and the human form.
(0-6) Cr. 3-4. F.S.
Prereq: ARTIS 230
Fundamentals of painting using acrylic and oil media applied to observation-based painting. Subject matter may include working from actual or two-dimensional references of still life, landscape, and the human form.
(Dual-listed with ARTIS 505). (0-6) Cr. 3. Repeatable.
Prereq: 6 credits of 200 level studio or permission of instructor
Explores the significance of recycling, sustainable methods of art making, and thrift-store culture as medium and subject matter for artists in both 2D and 3D studio projects. Through selected readings, slide presentations, and studio activities, we will address the environmental cause and effect of materials and methods, consumption and waste, and personal responsibility as stewards for the planet we share. Emphasis will be on conceptual development.
(0-6) Cr. 3.
Prereq: ARTIS 230 or permission of instructor
Introduction to 3D modeling using computer and available software. Modeling, texturing, lighting, and rendering with respect to 3D object and still scene creation.
(0-6) Cr. 3-4.
Prereq: ARTIS 230 or permission of instructor
Introduction to 3D modeling using computer and available software. Modeling, texturing, lighting, and rendering with respect to 3D object and still scene creation.
(1-4) Cr. 3.
Study and application of methods used by contemporary artists for the purpose of generating ideas for new work. Field trip.
Cr. 3.
Exploration of issues and directions in current art. Readings, discussions, and studio research projects to build an experimental and applied knowledge base for understanding each student's place in the contemporary art world.
(0-6) Cr. 3.
Prereq: ARTIS 202 or permission of instructor.
Design and production of basic furniture forms in wood. Introduction to power tools. Develop an individual design process including an understanding of scale and proportion. Develop a deeper understanding of wood and the issues of sustainability in furniture design.
(0-6) Cr. 3-4.
Prereq: ARTIS 202 or permission of instructor.
Design and production of basic furniture forms in wood. Introduction to power tools. Develop an individual design process including an understanding of scale and proportion. Develop a deeper understanding of wood and the issues of sustainability in furniture design.
(0-6) Cr. 3.
Prereq: ARTIS 204 or permission of instructor.
Investigation of expressive forms and techniques in ceramics; introduction to throwing on the wheel, to exploration of utilitarian and sculptural approaches in the medium, and to glaze-making research and electric kiln firing.
(0-6) Cr. 3-4.
Prereq: ARTIS 204 or permission of instructor.
Investigation of expressive forms and techniques in ceramics; introduction to throwing on the wheel, to exploration of utilitarian and sculptural approaches in the medium, and to glaze-making research and electric kiln firing.
(Cross-listed with BPM I). (0-6) Cr. 3. Repeatable.
Prereq: DSN S 131, ARTIS 230, or equivalent, and 3 credits in biological sciences; or permission of the instructor
Studio basics and professional techniques in black & white, continuous tone, and color. Introduction to professional practice and principles of communicating science through art. Emphasis on tools, materials, and rendering.
(0-6) Cr. 3.
Prereq: ARTIS 203 or permission of instructor
Continued study of traditional and contemporary metalsmithing fabrication techniques applicable to jewelry and object construction, including container forms. Emphasis on design, modeling and rendering techniques and progressive skill development. Basic stone setting and lost wax casting introduced.
(0-6) Cr. 3-4.
Prereq: ARTIS 203 or permission of instructor
Continued study of traditional and contemporary metalsmithing fabrication techniques applicable to jewelry and object construction, including container forms. Emphasis on design, modeling and rendering techniques and progressive skill development. Basic stone setting and lost wax casting introduced.
(2-0) Cr. 2. Repeatable, maximum of 6 credits.
Prereq: Open to ISA BFA majors
Contemporary issues in studio arts explored through lectures, presentations and critiques.
(0-6) Cr. 3. Repeatable, maximum of 6 credits.
Prereq: ARTIS 210 or permission of instructor
Continuation and expansion of concepts and processes from introductory photography. The class begins with advanced film camera techniques and experimentation with medium format cameras. It then moves into digital and color photography while also addressing output and presentation. Emphasis will be on the use of photography for visual communication and creative expression.
(0-6) Cr. 3-4. Repeatable, maximum of 6 credits.
Prereq: ARTIS 210 or permission of instructor
Continuation and expansion of concepts and processes from introductory photography. The class begins with advanced film camera techniques and experimentation with medium format cameras. It then moves into digital and color photography while also addressing output and presentation. Emphasis will be on the use of photography for visual communication and creative expression.
(0-6) Cr. 3. Repeatable.
Prereq: ARTIS 230
Drawing from the human figure.
(0-6) Cr. 3-4. Repeatable.
Prereq: ARTIS 230
Drawing from the human figure.
(3-0) Cr. 3. Repeatable. F.S.
Prereq: 200 level ISA studio courses, or permission of instructor
Exploration of alternative materials (primarily non-metallics, both natural and manufactured) applicable to the design and creation of small designed objects and adornment. Students will learn additive and reductive processes, experiment with found object inclusion, rubber mold- making, and resin casting. A series of finished pieces will result. Open to all majors in the College of Design.
(Cross-listed with BPM I). (0-6) Cr. 3. Repeatable, maximum of 6 credits. S.
Prereq: ARTIS 327
Rendering techniques applied to different types of biological and scientific subjects emphasizing communication. The use of traditional and digital media. Term project required.
(0-6) Cr. 3. Repeatable.
Prereq: ARTIS 214 or permission of instructor
Introduction to woven textile construction with emphasis on technical development of weaving as a means for personal expression as well as an understanding of its role within the applied arts. Students will explore both tapestry and 4-harness weaving.
(0-6) Cr. 3-4. Repeatable.
Prereq: ARTIS 214 or permission of instructor
Introduction to woven textile construction with emphasis on technical development of weaving as a means for personal expression as well as an understanding of its role within the applied arts. Students will explore both tapestry and 4-harness weaving.
(0-6) Cr. 3. Repeatable. F.S.
Introduction to natural dyes. Course includes a historical overview of natural dyes with attention to global perspectives. Emphasis on technical skill development and application of research in the creation of contemporary textile artwork, apparel and home furnishings.
(0-6) Cr. 3-4. Repeatable. F.S.
Introduction to natural dyes. Course includes a historical overview of natural dyes with attention to global perspectives. Emphasis on technical skill development and application of research in the creation of contemporary textile artwork, apparel and home furnishings.
(0-6) Cr. 3. Repeatable. F.S.
Prereq: ARTIS 214 or permission of instructor
Textile hand-printing methods on fabric including block, stencil and screen-printing using synthetic dyes, discharging agents, and pigments. Eco-printing will also be explored. Digital printing and transfer printing on fabric will be introduced. Emphasis on research and development of printed textile design techniques as a means for personal expression.
(0-6) Cr. 3-4. Repeatable. F.S.
Prereq: ARTIS 214 or permission of instructor
Textile hand-printing methods on fabric including block, stencil and screen-printing using synthetic dyes, discharging agents and pigments. Eco-printing will also be explored. Digital printing and transfer printing on fabric will be introduced. Emphasis on research and development of printed textile design techniques as a means for personal expression.
(Dual-listed with ARTIS 556). (0-6) Cr. 3-4. Repeatable, maximum of 6 credits. F.S.
Prereq: For ARTIS 356: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission; For ARTIS 556: Graduate classification or instructor permission
In-depth exploration of digital or traditional design and block cutting processes (computer/laser cutter/CNC router or drawing/chisels). Use relief printmaking to create a unified body of prints from those blocks. Emphasis is on experimental and creative use of printmaking with study of contemporary trends.
(0-6) Cr. 3-4. Repeatable, maximum of 6 credits. F.S.
Prereq: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission
Explore the techniques and aesthetic qualities of black and white and color relief printmaking with woodcuts, computer/laser cutter/CNC router blocks, or photopolymer plates. Emphasis is on experimental and creative use of printmaking with study of contemporary trends.
(Dual-listed with ARTIS 557). (0-6) Cr. 3-4. Repeatable, maximum of 9 credits. F.S.
Prereq: For ARTIS 357: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission; For ARTIS 557: Graduate classification or instructor permission
Explore the techniques and aesthetic qualities of black and white and color intaglio printmaking primarily through etching, aquatint, laser-cut plates and collagraph processes. Students will generate imagery through traditional drawing, collage and digital processes. Unique, one-of-a-kind black and white and color prints from Plexiglas will also be introduced. Emphasis is on experimental and creative use of printmaking for artistic expression.
(0-6) Cr. 3-4. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission
Explore the techniques and aesthetic qualities of black and white and color intaglio printmaking primarily through etching, aquatint, laser-cut plates and collagraph processes. Students will generate imagery through traditional drawing, collage and digital processes. Unique, one-of-a-kind black and white and color prints from Plexiglas will also be introduced. Emphasis is on experimental and creative use of printmaking for artistic expression.
(Dual-listed with ARTIS 558). (0-6) Cr. 3. Repeatable. F.S.
Prereq: For ARTIS 358: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission; For ARTIS 558: Graduate classification or instructor permission
Examine the techniques and aesthetic qualities of lithography primarily through hand-drawn and photographic plates. Students may generate imagery through traditional drawing, collage or digital processes. Emphasis is on experimental and creative use of printmaking for artistic expression. For those taking the course for a second semester, focus is on stone lithography and increased work with color.
(0-6) Cr. 3-4. Repeatable. F.S.
Prereq: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission
Examine the techniques and aesthetic qualities of lithography primarily through hand-drawn and photographic plates. Students may generate imagery through traditional drawing, collage or digital processes. Emphasis is on experimental and creative use of printmaking for artistic expression. For those taking the course for a second semester, focus is on stone lithography and increased work with color.
(0-6) Cr. 3. S.
Prereq: Junior level standing in the University
The artist/designer's role in sustainable development with a focus on cultural understanding of the collaborating communities. Class discussion, visual exercises, and the creation of creative collaborative service-learning projects such as product design, habitat design, and visual arts projects. Preorientation for travel to Ghana in ARTIS 363.
Meets International Perspectives Requirement.
(2-0) Cr. 2. S.
Prereq: Junior classification in ISA BFA curriculum.
Introduction to professional practices including development of portfolio (visual and written components). Lecture and presentation topics include applying to graduate school, internships, applying for jobs, grants/funding opportunities, professional networking, exhibition opportunities, and best practices for studio artists. Half-semester course. Required of all ISA majors.
(Dual-listed with ARTIS 507). (0-6) Cr. 3. Repeatable, maximum of 9 credits.
Prereq: ARTIS 308
Animation techniques using the computer and available software. Principles of character animation. Prior knowledge of modeling, lighting, texturing and rendering with available software is assumed.
(0-6) Cr. 3-4. Repeatable, maximum of 9 credits.
Prereq: ARTIS 308
Animation techniques using the computer and available software. Principles of character animation. Prior knowledge of modeling, lighting, texturing and rendering with available software is assumed.
(0-6) Cr. 3. Repeatable.
Prereq: ARTIS 308
Animation techniques using the computer and available software. Principles of animation. Prior knowledge of modeling, lighting, texturing, animation and rendering with computer and available software is assumed.
(0-6) Cr. 3-4. Repeatable.
Prereq: ARTIS 308
Animation techniques using the computer and available software. Principles of animation. Prior knowledge of modeling, lighting, texturing, animation and rendering with computer and available software is assumed.
(Dual-listed with ARTIS 509). (0-6) Cr. 3. Repeatable, maximum of 12 credits.
Prereq: Permission of instructor. Programming emphasis: COM S 227, COM S 228, COM S 229 or equivalent in engineering; art or graphics emphasis: ARTIS 230 and ARTIS 308; writing emphasis: an English course in creative writing or writing screen plays; business or marketing students: Junior classification
Independent project based creation and development of "frivolous and non-frivolous" computer games in a cross-disciplinary team. Projects require cross-disciplinary teams. Aspects of Indie development and computer/video game history will be discussed.
(Dual-listed with ARTIS 520). (0-6) Cr. 3. Repeatable, maximum of 12 credits. F.S.
Prereq: ARTIS 320
Design and creation of increasingly complex furniture forms with consideration of precedents and innovative techniques and approaches. Continued development of a unique personal approach to the design and making of furniture. Refined sensitivity to wood, and continued consideration of various sustainable practices.
(0-6) Cr. 3-4. Repeatable, maximum of 12 credits. F.S.
Prereq: ARTIS 320
Design and creation of increasingly complex furniture forms with consideration of precedents and innovative techniques and approaches. Continued development of a unique personal approach to the design and making of furniture. Refined sensitivity to wood, and continued consideration of various sustainable practices.
(Dual-listed with ARTIS 522). (0-6) Cr. 3. Repeatable, maximum of 12 credits. F.S.
Prereq: For ARTIS 422: ARTIS 322; For ARTIS 522: graduate classification in the MFA program in Integrated Visual Arts; or permission of instructor
Creation of a body of work in personal ceramic forms and unique surface treatments. Gas Kiln firings, research into contemporary ceramic artists and development of a body of increasingly skilled work are emphasized. Students are expected to be capable of independent studio work and take responsibility for kiln firings.
(0-6) Cr. 3-4. Repeatable, maximum of 12 credits. F.S.
Prereq: ARTIS 322
Creation of a body of work in personal ceramic forms and unique surface treatments. Gas Kiln firings, research into contemporary ceramic artists and development of a body of increasingly skilled work are emphasized. Students are expected to be capable of independent studio work and take responsibility for kiln firings.
(Dual-listed with ARTIS 524). (0-6) Cr. 3. Repeatable, maximum of 12 credits. F.S.
Prereq: For ARTIS 424: ARTIS 324 or permission of instructor; For ARTIS 524: Graduate Classification in the MFA program in Integrated Visual Arts, or instructor permission
Emphasis on metal fabrication and hollow construction techniques applicable to jewelry, functional objects and sculptural art forms. Processes introduced include raising, forming, and anticlastic shell forming techniques. Introduction to mechanisms and tool making. Advanced students are encouraged to integrate alternative materials and technologies. A focus is placed on independent research, professional engagement and portfolio development.
(0-6) Cr. 3-4. Repeatable, maximum of 12 credits. F.S.
Prereq: ARTIS 324 or permission of instructor
Emphasis on metal fabrication and hollow construction techniques applicable to jewelry, functional objects and sculptural art forms. Processes introduced include raising, forming, and anticlastic shell forming techniques. Introduction to mechanisms and tool making. Advanced students are encouraged to integrate alternative materials and technologies. A focus is placed on independent research, professional engagement and portfolio development.
(Dual-listed with ARTIS 529). (0-6) Cr. 3. Repeatable. F.S.
Prereq: ARTIS 329
Independent, advanced work in traditional alternative and/or digital photographic processes. Emphasis is on development of a unified body of work and research into contemporary photographers and aesthetic concern.
(0-6) Cr. 3-4. Repeatable. F.S.
Prereq: ARTIS 329
Independent, advanced work in traditional alternative and/or digital photographic processes. Emphasis is on development of a unified body of work and research into contemporary photographers and aesthetic concern.
(Dual-listed with ARTIS 530). (0-6) Cr. 3. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 330
Figurative and/or non-figurative drawing with advanced work in media, composition, and theory.
(0-6) Cr. 3-4. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 330
Figurative and/or non-figurative drawing with advanced work in media, composition, and theory.
(Dual-listed with ARTIS 531). Cr. 3. F.
Prereq: For ARTIS 431: DSN S 131, plus ARTIS 230, ARTIS 330, or instructor permission after portfolio review. For ARTIS 531: Graduate classification in the MFA program in Integrated Visual Arts; or instructor permission after portfolio review.
Drawing directed toward designing characters and environments to be used for telling stories in a variety of contexts. Emphasis on ideation, research, concept art and other process work over finished art.
(Dual-listed with ARTIS 532). (0-6) Cr. 3. S.
Prereq: For ARTIS 432: DSN S 131, plus ARTIS 230, ARTIS 330, or instructor permission after portfolio review. For ARTIS 532, Graduate classification in the MFA program in Integrated Visual Arts; or instructor permission after portfolio review.
Studio course in drawing focusing on the fundamentals of communicating a narrative through sequential images in a variety of applications. Emphasis will be placed on visual research, ideation, concept art and process sketching.
(Dual-listed with ARTIS 538). (0-6) Cr. 3. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 338
Figurative and non-figurative painting with advanced work in media, composition, and theory.
(0-6) Cr. 3-4. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 338
Figurative and non-figurative painting with advanced work in media, composition, and theory.
(Dual-listed with ARTIS 547). (0-6) Cr. 3. Repeatable. F.S.
Prereq: For ARTIS 447: ARTIS 347 or permission of instructor; For ARTIS 547: Graduate classification.
Textile hand-printing methods on fabric including block, stencil, and screen-printing using synthetic dyes, discharging agents, and pigments. Eco-printing will also be explored. Digital printing and transfer printing on fabric will be introduced. Individualized research and development of printed textile design techniques as means for personal expression.
(Dual-listed with ARTIS 548). (0-6) Cr. 3. Repeatable. F.S.
Prereq: Junior classification in either College of Design or Apparel, Merchandising, & Design
This hands-on studio course will allow students to explore digital printing technology and its application to textile design for those working within industry as well as independent studio practitioners. Digital design development includes pattern repeats and photo manipulation to create unique textile designs for fashion, interior and fine art applications.
(0-6) Cr. 3. F.S.
Prereq: Senior standing or permission of instructor.
Issues in the design and fabrication of furniture focusing on sustainable practices. An exploration of current practices and their environmental effects, consumer demands, and alternative processes and materials.
(1-4) Cr. 3. F.S.
Introduction to aspects of community arts management and art gallery operations. Class meets at ISU Design on Main Gallery, a community arts space in the Main Street Cultural District of Ames. Students will staff the gallery and assist in the conception, design and realization of exhibitions.
(Dual-listed with ARTIS 362). (0-6) Cr. 3. S.
Prereq: Junior level standing in the University
The artist/designer's role in sustainable development with a focus on cultural understanding of the collaborating communities. Class discussion, visual exercises, and the creation of creative collaborative service-learning projects such as product design, habitat design, and visual arts projects. Preorientation for travel to Ghana in ARTIS 363.
Meets International Perspectives Requirement.
(0-6) Cr. 3. SS.
Prereq: ARTIS 465 or permission of instructor
Traveling studio to Africa; an experiential tour of arts and history combined with design-focused collaborative service-learning projects. Projects may include product development, design consultation, sustainable building design, and learning and teaching of visual arts. Student teams will develop projects in partnership with in-country nationals.
Meets International Perspectives Requirement.
(Dual-listed with ARTIS 573). (0-6) Cr. 3.
Prereq: ARTIS 212 or permission of instructor for enrollment in ARTIS 473; graduate standing or permission of instructor for enrollment in ARTIS 573
Usage of professional video editing software and application of best practices for video production and post-production to realize original artworks. Creation of narrative and non-narrative videos and site specific video installations. Prominent examples in the history of video art provide context for the coursework. Non-repeatable for graduate students.
(Dual-listed with ARTIS 575). (0-6) Cr. 3.
Prereq: For ARTIS 475: ARTIS 212 or Permission of Instructor; for ARTIS 575: Graduate standing or permission of instructor.
Create software and integrate the sensors required to create interactive artworks, video games, and installations. Prominent examples in the history of interactive art provide context for the coursework.
(Dual-listed with ARTIS 582). Cr. 1-3. Repeatable. F.S.
Prereq: Permission of instructor
Special issues related to studio art. Topics vary each time offered.
Cr. 1-6. Repeatable. F.S.SS.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed craft design coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1-6. Repeatable.
Prereq: Written approval of instructor and department chair on required form in advance of semester of enrollment
Student must have completed coursework appropriate to planned independent study. Offered on a graded basis or a satisfactory-fail basis.
Cr. 1. F.S.
Prereq: Enrollment in Post Baccalaureate Program.
Exhibition of artwork completed in the Post Baccalaureate program, required for fulfillment of certificate.
Offered on a satisfactory-fail basis only.
Cr. 1-3. Repeatable. SS.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
(1-0) Cr. 1.
Prereq: Permission of instructor and planned enrollment in ARTIS 495
Cultural and historical aspects of art and design in Western Europe in preparation for study abroad. Area of study varies each time offered. Offered on a satisfactory-fail basis only.
Offered on a satisfactory-fail basis only.
Meets International Perspectives Requirement.
(Dual-listed with ARTIS 595). Cr. 3.
Prereq: Graduate classification, ARTIS 494 or equivalent, permission of instructor
International study abroad program in western Europe. Visits to design studios, art museums, and educational facilities. Related activities depending on specific area of study which may vary each time offered.
Meets International Perspectives Requirement.
Cr. R. Repeatable.
Prereq: Concurrent enrollment in an art and design studio or integrated studio arts course and permission of instructor
Study and tours of museums, galleries, artist and/or designer studios and other areas of interest within art and design.
Offered on a satisfactory-fail basis only.
Cr. 1-6. Repeatable, maximum of 6 credits.
Prereq: Advanced classification in a department curriculum
Written approval of supervising instructor and department chair on required form in advance of semester of enrollment. Supervised experience with a cooperating artist or studio.
Offered on a satisfactory-fail basis only.
(1-0) Cr. 1. S.
Prereq: ARTIS 399 and senior classification in the ISA BFA Curriculum.
Capstone experience for the BFA degree, including the refinement of a final portfolio (visual and written components). Guest lecturers cover range of topics relevant to the professional practice of art and design. Course culminates in the planning, design and installation of the BFA group exhibition in a formal gallery setting. Half-semester course. Required of all ISA majors.
Courses primarily for graduate students, open to qualified undergraduates:
(Dual-listed with ARTIS 305). (0-6) Cr. 3. Repeatable.
Prereq: 6 credits of 200 level studio or permission of instructor
Explores the significance of recycling, sustainable methods of art making, and thrift-store culture as medium and subject matter for artists in both 2D and 3D studio projects. Through selected readings, slide presentations, and studio activities, we will address the environmental cause and effect of materials and methods, consumption and waste, and personal responsibility as stewards for the planet we share. Emphasis will be on conceptual development.
(Dual-listed with ARTIS 407). (0-6) Cr. 3. Repeatable, maximum of 9 credits.
Prereq: ARTIS 308
Animation techniques using the computer and available software. Principles of character animation. Prior knowledge of modeling, lighting, texturing and rendering with available software is assumed.
(Dual-listed with ARTIS 409). (0-6) Cr. 3. Repeatable, maximum of 12 credits.
Prereq: Permission of instructor. Programming emphasis: COM S 227, COM S 228, COM S 229 or equivalent in engineering; art or graphics emphasis: ARTIS 230 and ARTIS 308; writing emphasis: an English course in creative writing or writing screen plays; business or marketing students: Junior classification
Independent project based creation and development of "frivolous and non-frivolous" computer games in a cross-disciplinary team. Projects require cross-disciplinary teams. Aspects of Indie development and computer/video game history will be discussed.
(3-0) Cr. 3.
Prereq: Graduate classification
Readings and discussion of university level design education issues, studio/classroom observation, development of a teaching philosophy, lesson planning and presentation.
(Dual-listed with ARTIS 420). (0-6) Cr. 3. Repeatable, maximum of 12 credits. F.S.
Prereq: ARTIS 320
Design and creation of increasingly complex furniture forms with consideration of precedents and innovative techniques and approaches. Continued development of a unique personal approach to the design and making of furniture. Refined sensitivity to wood, and continued consideration of various sustainable practices.
(Dual-listed with ARTIS 422). (0-6) Cr. 3. Repeatable, maximum of 12 credits. F.S.
Prereq: For ARTIS 422: ARTIS 322; For ARTIS 522: graduate classification in the MFA program in Integrated Visual Arts; or permission of instructor
Creation of a body of work in personal ceramic forms and unique surface treatments. Gas Kiln firings, research into contemporary ceramic artists and development of a body of increasingly skilled work are emphasized. Students are expected to be capable of independent studio work and take responsibility for kiln firings.
(Dual-listed with ARTIS 424). (0-6) Cr. 3. Repeatable, maximum of 12 credits. F.S.
Prereq: For ARTIS 424: ARTIS 324 or permission of instructor; For ARTIS 524: Graduate Classification in the MFA program in Integrated Visual Arts, or instructor permission
Emphasis on metal fabrication and hollow construction techniques applicable to jewelry, functional objects and sculptural art forms. Processes introduced include raising, forming, and anticlastic shell forming techniques. Introduction to mechanisms and tool making. Advanced students are encouraged to integrate alternative materials and technologies. A focus is placed on independent research, professional engagement and portfolio development.
(Dual-listed with ARTIS 429). (0-6) Cr. 3. Repeatable. F.S.
Prereq: ARTIS 329
Independent, advanced work in traditional alternative and/or digital photographic processes. Emphasis is on development of a unified body of work and research into contemporary photographers and aesthetic concern.
(Dual-listed with ARTIS 430). (0-6) Cr. 3. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 330
Figurative and/or non-figurative drawing with advanced work in media, composition, and theory.
(Dual-listed with ARTIS 431). Cr. 3. F.
Prereq: For ARTIS 431: DSN S 131, plus ARTIS 230, ARTIS 330, or instructor permission after portfolio review. For ARTIS 531: Graduate classification in the MFA program in Integrated Visual Arts; or instructor permission after portfolio review.
Drawing directed toward designing characters and environments to be used for telling stories in a variety of contexts. Emphasis on ideation, research, concept art and other process work over finished art.
(Dual-listed with ARTIS 432). (0-6) Cr. 3. S.
Prereq: For ARTIS 432: DSN S 131, plus ARTIS 230, ARTIS 330, or instructor permission after portfolio review. For ARTIS 532, Graduate classification in the MFA program in Integrated Visual Arts; or instructor permission after portfolio review.
Studio course in drawing focusing on the fundamentals of communicating a narrative through sequential images in a variety of applications. Emphasis will be placed on visual research, ideation, concept art and process sketching.
(Dual-listed with ARTIS 438). (0-6) Cr. 3. Repeatable, maximum of 9 credits. F.S.
Prereq: ARTIS 338
Figurative and non-figurative painting with advanced work in media, composition, and theory.
(Dual-listed with ARTIS 447). (0-6) Cr. 3. Repeatable. F.S.
Prereq: For ARTIS 447: ARTIS 347 or permission of instructor; For ARTIS 547: Graduate classification.
Textile hand-printing methods on fabric including block, stencil, and screen-printing using synthetic dyes, discharging agents, and pigments. Eco-printing will also be explored. Digital printing and transfer printing on fabric will be introduced. Individualized research and development of printed textile design techniques as means for personal expression.
(Dual-listed with ARTIS 448). (0-6) Cr. 3. Repeatable. F.S.
Prereq: Junior classification in either College of Design or Apparel, Merchandising, & Design
This hands-on studio course will allow students to explore digital printing technology and its application to textile design for those working within industry as well as independent studio practitioners. Digital design development includes pattern repeats and photo manipulation to create unique textile designs for fashion, interior and fine art applications.
(Dual-listed with ARTIS 356). (0-6) Cr. 3-4. Repeatable, maximum of 6 credits. F.S.
Prereq: For ARTIS 356: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission; For ARTIS 556: Graduate classification or instructor permission
In-depth exploration of digital or traditional design and block cutting processes (computer/laser cutter/CNC router or drawing/chisels). Use relief printmaking to create a unified body of prints from those blocks. Emphasis is on experimental and creative use of printmaking with study of contemporary trends.
(Dual-listed with ARTIS 357). (0-6) Cr. 3-4. Repeatable, maximum of 9 credits. F.S.
Prereq: For ARTIS 357: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission; For ARTIS 557: Graduate classification or instructor permission
Explore the techniques and aesthetic qualities of black and white and color intaglio printmaking primarily through etching, aquatint, laser-cut plates and collagraph processes. Students will generate imagery through traditional drawing, collage and digital processes. Unique, one-of-a-kind black and white and color prints from Plexiglas will also be introduced. Emphasis is on experimental and creative use of printmaking for artistic expression.
(Dual-listed with ARTIS 358). (0-6) Cr. 3. Repeatable. F.S.
Prereq: For ARTIS 358: ARTIS 206 and credit or enrollment in ARTIS 230, or instructor permission; For ARTIS 558: Graduate classification or instructor permission
Examine the techniques and aesthetic qualities of lithography primarily through hand-drawn and photographic plates. Students may generate imagery through traditional drawing, collage or digital processes. Emphasis is on experimental and creative use of printmaking for artistic expression. For those taking the course for a second semester, focus is on stone lithography and increased work with color.
(3-0) Cr. 3.
Prereq: Admission into graduate program in the College of Design
Through directed readings, individual assignments, guest presentations, local field trips, and group discussions, students learn strategies to create and apply a personalized plan that will guide them toward successful studio practice at all stages of their careers. Topics include professional opportunities and avenues of support available to studio artists, development in preparing visual portfolios, artists statements, and applications for grants, residencies and exhibitions.
(3-0) Cr. 3.
Prereq: Admission into graduate program in the College of Design
Ongoing weekly critiques and dialog about sources, methods, and progress of studio projects. Graduate students will learn to articulate their ideas from concept to creation. The interaction of students at different levels in a broad spectrum of studio courses will reveal commonalities and connections among all of the visual arts, accelerating individual creative development.
(Dual-listed with ARTIS 473). (0-6) Cr. 3.
Prereq: ARTIS 212 or permission of instructor for enrollment in ARTIS 473; graduate standing or permission of instructor for enrollment in ARTIS 573
Usage of professional video editing software and application of best practices for video production and post-production to realize original artworks. Creation of narrative and non-narrative videos and site specific video installations. Prominent examples in the history of video art provide context for the coursework. Non-repeatable for graduate students.
(Dual-listed with ARTIS 475). (0-6) Cr. 3.
Prereq: For ARTIS 475: ARTIS 212 or Permission of Instructor; for ARTIS 575: Graduate standing or permission of instructor.
Create software and integrate the sensors required to create interactive artworks, video games, and installations. Prominent examples in the history of interactive art provide context for the coursework.
(Dual-listed with ARTIS 482). Cr. 1-3. Repeatable. F.S.
Prereq: Permission of instructor
Special issues related to studio art. Topics vary each time offered.
Cr. arr. F.S.SS.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. arr.
Prereq: Bachelor degree in art and/or design, or evidence of satisfactory equivalency in specialized area
Written approval of instructor and department chair on required form in advance of semester of enrollment.
Cr. 1-3. Repeatable. SS.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
Cr. 1-3. Repeatable.
Prereq: Graduate classification and permission of instructor
Intensive 2 to 4 week studio exploration. Topics vary each time offered and may have prerequisites.
(Dual-listed with ARTIS 495). Cr. 3.
Prereq: Graduate classification, ARTIS 494 or equivalent, permission of instructor
International study abroad program in western Europe. Visits to design studios, art museums, and educational facilities. Related activities depending on specific area of study which may vary each time offered.
Meets International Perspectives Requirement.
Courses for graduate students:
(3-0) Cr. 3.
Prereq: Permission of instructor
Research strategies related to fine art and technology. Application of selected methods to specific issues.
(0-6) Cr. 3. F.S.
Prereq: Graduate classification and permission of instructor.
Exploration and application of media with various materials, methods and ideas.
Cr. arr.
Prereq: Graduate classification and approval of POS committee
Supervised off-campus learning experience with a prominent artist, designer, or firm.
Cr. 1-3. Repeatable, maximum of 9 credits. F.S.
Prereq: Graduate classification and permission of instructor.
Selected issues in contemporary studio arts. Topics and readings vary each time offered.
Cr. arr. Repeatable.
Research in Integrated Studio Arts.
Cr. arr. Repeatable.
Research thesis.
Cr. arr. Repeatable.
Research exhibition.